A common misconception in mainstream texts and media is the idea that Confucianism has always been a doctrine for the ruling class whereas Buddhism and Daoism appeal to the “ignorant masses” (Welch & Seidel, 1979, p. 1). However, all three indigenous philosophies have contributed to shaping Chinese culture which views the universe as a harmonious and inter-related whole. While Confucianism puts emphasis on morality and how people should maintain proper relationships to achieve an ideal state of harmony (or ‘harmonisation’ depending on the translation of he, 和), Daoism is more individualistic and mystical, relying on instinct and consciousness rather than rules to govern social conduct (Jing, 2008).
The name daojia, 道家 or “school of the dao” was created by the historian Sima Tan in the text, Shi ji (“Records of the Historian”), which was written in the 2nd century BCE and later completed by his son, Sima Qian. According to Sima Qian’s classification (liujia zhi yaozhi, 六家之要指), the Daoists are one of the Six Schools in Ancient China, which also include the Confucians, the Mohists, the Legalists, the Logicians and the Yin-Yang school (or school of Naturalists). The classification of Daoism as a single school meant that historians compiled a list of texts such as the Laozi, 老子 and Zhuangzi, 莊子 of the pre-Han period that shared similar views on themes related to cosmology and ontology. Some of these themes include discussing ‘the Way’ (dao, 道, lit. “path”) as the ultimate metaphysical force in the cosmos, and ‘wu’ (無, “nothingness” or “nonbeing”), as a state that is complementary to being rather than meaning non-existence. Through the idea of wu, Daoists went one step further than the Greeks by expanding the traditional definition of ontology as examining the ‘being’ or existence of a human being by dealing with the concept of nothingness. This resulted in heated debates during the 3rdand 4thcenturies over whether things in the world were born from nonbeing or being (Chai, 2012). The eventual consensus in the Daoist school was that dao gives birth to both nonbeing and being and so, dao itself must be beyond the sphere of existence and non-existence.
Once institutionalised, the experts and practitioners of Daoism began to promote self-cultivation practices or “techniques of the Way” (dao shu, 道術), which would help individuals realise the daoand live a more harmonious life. While some of these techniques included adopting a sceptical mind and finding meaning in indirect, non-argumentative writing, often in the form of poetry and parable (Hansen, 2007), the political implication of Daoist thought was its opposition to authority, government, and coercion. As Loy (1985)noted, the Daoist concept of “spontaneity” (or wu-wei, 无为, lit. “without exertion”) was contrasted to the Confucian practice of obediently following teachers and traditions. For the Daoists, rules and social conventions restrained individuals from expressing their true nature, while natural movement was a way of promoting freedom and egalitarianism. Hansen (2007) argues that from a Confucian perspective, the rejection of order through authority and rulers was anarchist since the role of government was to promote moral character, whether by education, attraction or force.
However, whether this is a correct understanding of Daoism is debatable. For instance, Emeritus Professor of Philosophy John Clarke (1983) points out that it has become commonplace to identify Daoism and anarchism in political discussions, and Andrew Vincent (1992) adds that “it is also asserted that anarchist themes are to be found within ancient Chinese texts like the Tao te Ching [Daodejing]” (p. 116). But for Feldt (2010), these claims have often been made in passing or without critical engagement. The Zhuangzi also tends to be overcited when linking Daoism to anarchism because it is one of the only pre-Qin philosophical classics that does not make normative political claims. Whereas other Daoist texts like the Daodejing (also called the Laozi) provide theories for rulership and legitimate political power, where the ideal government would exert a minimum amount of interference over individuals (Ames, 1983), the Zhuangzi is silent on political issues and suggests that people should stay away from politics and any external, dominating powers (D’Ambrosio, 2018). Since the creation of the People’s Republic of China in 1949, which was dominated by a Bolshevik-style state-party system, anarchist activity and Daoist thought have been isolated and marginalised in the Chinese radicalism movement. Anarchism in China was also more associated with Buddhism because of the large number of Buddhist monks joining the Guangdong anarchist movement in the early 1920s (Dirlik, 2012).
Chinese anarchist visions were largely influenced by the writings of Russian activist and revolutionary Peter Kropotkin (1901), who put forward a version of ‘socialist anarchy’ that called for the abolition of individual property and the emancipation of the individual from the State, which was thought to maintain and reproduce conditions of economic slavery. Although some Maoist policies that integrated agriculture and industry were in line with the anarchist movement’s goals of setting up a more equal society, the emergence of state-based and armed groups such as the Communist Party and the Kuomintang meant that the Chinese anarchist community quickly lost its influence amongst the political elite (Dirlik, 2012). In its historical context, Anarchia, meaning the absence of government in Ancient Greek (coming from the word an-arkhíaor “not authority”), is about organizing society without government or coercion. Mainstream anarchist movements are opposed to states, armies, slavery, the wages system, prisons, all forms of capitalism, bureaucracy, patriarchy, matriarchy, monarchy, oligarchy, and intimidation by gangsters (Rooum, 1995). Anarchism is not perfect freedom in that people are not universally assumed to be altruistic or good. Rather, the movement is based on the belief that although humans are imperfect and can be unpredictable, a non-coercing and non-authoritarian way of organizing society is ethically worth striving for. In other words, anarchism seeks to offer a plausible alternative to current systems of governance where, it is argued, modern-day forms of slavery and brutality increase inequalities and reduce individual opportunity. It should be noted that when anarchism was applied to China, the anarchists did not insist on an anarchism with Chinese characteristics, but tried to apply universal anarchist principles to China’s political situation.
While there are some similarities between anarchist beliefs and Daoist principles, there are also fundamental differences. For example, although both Daoism and anarchism see freedom of the individual as a crucial aspect to human relations and existence, the meaning of freedom in anarchism is socio-political, where an ideal society would be free from oppression and authority, whereas the Daoist freedom is based on metaphysics. In the Daodejing (道德經), it is written that humans should have the freedom to cultivate their natural and simple character that originally comes from the dao. For instance, in chapters 8 and 9 the ideal human condition is described as natural governing “without desire which is like the softness of water that penetrates through hard rocks. His work is of talent like the free flow of water. His movement is of right timing like water that flows smoothly. A virtuous person never forces his way and hence will not make faults.” In that case, the cultivation of the self involves action without force. An individual is free in their creativity and accessing this freedom means not holding on to things such as desire and success. While some writers appeal to the noncoercive and nonauthoritarian conception of wu-weias one of the key links between Daoism and anarchism, there are various ways of translating wu-wei. Roger Ames and David Hall (1983) use the term “noncoercion”, but Ames (1994) also generalised the meaning through the terms “noncoercive activity”, “nonaction”, “doing nothing”, and “acting naturally”. D.C. Lau (1963) uses “nonaction”, while Edward Slingerland (2003) refers to wu-wei as “effortless action”. The different translations can have different meanings when discussing political authority. For example, a government that “does nothing” or is non-active seems like an appeal to anarchism, whereas governing through “noncoercive activity” or natural action is to voluntarily govern without relying on force. But the authority would still remain. Thus, Wu-wei is not simply the lack of authority or action. In chapter 43 of the Daodejing, the Sage is advised to do nothing (with a purpose), and in chapter 48 it is stated that a person should arrive at the point of non-action where “there is nothing which he does not do.” Thus, there is still activity, intention, and spontaneity in the meaning of wu-wei as the dao can only be expressed and realised beyond actions and words.
Finally, at no point does Daoism outright reject a ruling authority or the state. This is because, as Xiao Gongquan (1979) states, “what Lao Tzu attacked was not government in and of itself, but was any kind of government which did not conform to “Taoistic” standards” (p. 299). In other words, it is believed that society should be governed by a sage-ruler that follows the standards and spontaneous workings of the dao, which involves allowing citizens to realise their individual freedoms by not applying an excess of laws. In chapter 57 of the Daodejing, Lao Tzu says “Govern the state by being straightforward; wage war by being crafty; but win the empire by not being meddlesome…Hence the sage says, I take no action and the people are transformed of themselves”. Here Lao Tzu puts forward the idea that the state should be non-intrusive with minimal or no taxation and laws so that people can live without unnecessary competition or strife. For Robert Eno (1990), Confucius himself adopted such as Daoist attitude as his political theory was a justification for staying away from government at least until a sage would become a proper ruler. The development of a rule-based, authoritarian Confucianism would later contrast Daoism’s natural spontaneity and scepticism to social control, but to equate Daoism with Western anarchism is to ignore the cultural and historical differences in how both schools of thought developed and influenced Chinese society.
It should be noted that while traditional Confucianism spoke more of virtuous rulers teaching their citizens about correct conduct and moral behaviour, by the early Ming dynasty emperors began adopting an official neo-Confucian theory of foreign policy that allowed for the legitimate use of force (see Feng Zhang, “Confucian Foreign Policy Traditions in Chinese History,” The Chinese Journal of International Politics8 (2): 2015, p. 197-218. https://doi.org/10.1093/cjip/pov004).
Painting by Zhang Hongnian (张红年). Retrieved from here.
Most humans experience intense emotions throughout their lives, such as love, lust, anger, and grief. In its most general sense, the nature of grief is about feeling pain and sadness. First used in 13th century France, grief is defined as the feeling of injustice, misfortune, and calamity, and derives from grever, which means to “afflict, burden, oppress” (Harper, 2017). In Latin, gravare is something which makes heavy or causes grief, coming from gravis– that which is weighty or heavy. While the expression ‘good grief’ has been used since the 1900s to express surprise or dismay, grief is a deep emotional response or a mental state when reacting to the death of someone or loss of something. Bereavement or mourning, on the other hand, indicates the process of grieving. Although there is no timeframe for grieving, mourning is meant to signify a period when grieving can properly take place.
There are many examples of how grieving takes place, and the expression of grief is culturally specific. In other words, how we experience sadness and pain is influenced by our culture’s rituals, customs, and beliefs. Generally, sobbing at the news of the death of a loved one and the experience of shock and sadness is an example of grief. From the Euro-American view, such an experience can be harmful as it destroys an individual’s assumptive world: the condition of one’s reality is altered as the loss of a loved one disrupts one’s social network and emotional health. Thus, Shear and Smith-Caroff (2002) calls the act of grieving a ‘syndrome’ as grieving often induces a person to be shocked, cry, decline to eat, neglect basic responsibilities, and so on. The extent of which grief can affect one’s life was criticised by the Greek philosopher Epicurus (341-270 B.C.), who argued that grief is entirely self-centred and misguided. Since, Epicurus believed that being dead was harmless and we cannot stop death from occurring, the fear of death and sadness for someone’s death is irrational and only harms the griever.
In Chinese philosophy, Zhuang Zhou (370-287 B.C.) had a similar opinion. In the ancient text, the Zhuangzi 莊子, which was written during the late Warring States period, the chapter ‘Perfect Enjoyment’ (至樂) particularly deals with this theme. The story goes that one day, Zhuang Zhou meets with his friend Hui Shi just after Zhuang Zhou’s wife had died. Hui Shi found that Zhuang Zhou was singing joyously and beating on a drum. Astonished, Hui Shi remarked:
“When a wife has lived with her husband, and brought up children, and then dies in her old age, not to wail for her is enough. When you go on to drum on this basin and sing, is it not an excessive (and strange) demonstration?”
Zhang Zhou replied that it is not. Initially, he had been very upset. But after reflecting on the circumstances of her being, and how she came to be through changes in the cosmos- through the intermingling of waste and dark chaos that resulted in change, breath, change again, bodily form, birth, and life- he realised that death represented just another aspect of this cycle. Just as the seasons change, his wife had simply taken part in the process of life. Understanding this, Zhuang Zhou restrained himself and his grief disappeared.
For Confucius, however, grief is not only natural and expected, it is necessary. Although Confucius also suggested looking positively at the transformative stages of life and death, where people should be more concerned about life and care less about the uncertainty of death (Qin & Xia, 2015), ritual and respect were noted to be important factors to consider when reacting to death. As Confucius states in The Analects passage 3.4, “In rites in general, rather than extravagance, better frugality. In funeral rites, rather than thoroughness, better real grief.” Put simply, in following ritual and carrying out the correct mourning practices, one should not be afraid to feel sorrow and confront loss.
In traditional China, ancestor worship was one of the ways which many people could express their grief and sorrow while receiving guidance from those who had passed. The rituals in ancestor worship acted as narratives that connected the family to individuals, their social status, and the land which they once occupied. Researchers from Webster University, Klass and Goss (2003), note that funeral rituals actually developed from Daoism as they were meant to ensure the deceased received what they needed before passing on to the other world. But once Confucianism was popularised in the following dynasties, funeral rites were re-interpreted to fit within a Confucian social framework that represented hierarchy in the family and community. Since the most important family relationship was that of the father and son, and filial piety (xiao, 孝) or respect and obligation was one of the highest regarded virtues, funeral rituals were primarily designed for sons to mourn their fathers. For instance, only the death of a father who had a son merited a full funeral ritual, while all other deaths had only part funerals. Parents whose children had died merited no ritual at all.
Although grieving is culturally monitored in that individuals, families, and communities have rules for how to display and handle emotions of grief, grieving intensively and in ways that transgress ritual was not necessarily prohibited. There is not much information in the Analects on how to respond to those grieving over the death of a loved one, so the passages that describe Confucius’s grief over the death of Yan Hui顏回 are significant. Hui or Yan Hui was one of Confucius’s most celebrated disciples, often portrayed as someone who was wise and dutiful. In passage 6.3, when Duke Ai asked which of Confucius’s disciples loved learning, Confucius replied that it was Yan Hui who never repeated his errors or became agitated. From passages 9.20-9.22, Confucius also describes Yan Hui as never lazy and observant. In that case, when Yan Hui dies Confucius chooses not to hold back on his grief lamenting, “Oh! Tian destroys me! Tian destroys me!” (11.9). When Confucius’s followers state that the Master wails beyond proper bounds, Confucius replies: “Have I? If I do not wail beyond proper bounds for this man, then for whom?” (11.10).
If grief is to be understood as a necessary precondition for the process and ritual of mourning, it is only natural that one expresses emotions that signify sadness, sorrow, or despair. However, to explain Confucius’s expression of grief which went beyond the ‘proper bounds’, it is important to not only consider the relationship between Confucius and Yan Hui, but also the attitude towards death that Confucius demonstrates when losing Hui. As Ivanhoe (2002) and Olberding (2004) highlight, the sorrow of Confucius at the death of his disciple was partly attributable to the way in which Hui’s death was wasteful: Hui was a young person who lived in accordance with the Dao, but did not get to live life to his maximum potential. In addition to this, we can understand the relationship of Confucius and Hui by what the David Hall and Roger Ames (1987) call an “actualization of a mode of being” (p. 178), where a superior person realises or creates ritual through personal signification. Put simply, the “mode of being” for Confucius on the death of Yan Hui does not, and cannot, serve as instruction for all but rather shows Confucius reacting to the moment rather than prescribing action for all.
For Confucius, Yan Hui’s death signified not only the loss of a good student and friend, but the closing of developmental avenues for Confucius himself. With the “dramatic and final rupture in the relationship between him and his treasured disciple, Confucius laments over “the Confucius who never was” (Olberding, 2004, p. 294). To understand the phrase “the Confucius who never was”, it should be noted that the Chinese concept of self is inextricably linked to communal relationships. As a result, when one member of a community is lost, other members of the community are affected in ways where their own sense of selves are altered because of the self’s relational nature. Confucius sense of self was altered in that Hui’s death signified the loss of a friend and the loss of a Confucius who could never be as Confucius could no longer learn by interacting with Hui.
Contrasting the traditional view of Confucianism as a mode of philosophy that suppresses individuality and emotions (see Ho, 1995), the practice of grieving in passage 11.9 Analects highlights that there is flexibility in mourning practices. Sometimes it may be appropriate to transgress ritual if it is useful to help one deal with emotional pain and bereavement. Because we live through others just as others influence, shape, and live through us, grief cannot be a matter of theoretical instruction, but an immediate reality.