In the fourth episode of the broadcast, Professor Mortley examines two moral dilemmas about sons betraying fathers in the interests of justice, one from Plato’s Euthyphro, and the other from Confucius’ Analects. Traditionally, Chinese culture emphasises filial piety or respect where there is an obligation to be reverent to one’s parents and ancestors.
Although ideally, a harmonisation of all principles should be achieved where justice, care for others, and filial respect are valued, in the Confucian dilemma, there a greater truth in obligation to family so it is preferred that the son remains loyal to his father than to his community.
In the third episode of the Confucian Way, Professor Mortley discusses the subversiveness of Confucianism, that is, the way Confucius directly critiques society and challenges the status quo. However, in light of the Chinese Communist Party’s endorsement of Confucianism in recent years, Professor Mortley asks whether Confucianism can maintain its critical thought while being embraced by the Chinese State and the Communist Party.
A common misconception in mainstream texts and media is the idea that Confucianism has always been a doctrine for the ruling class whereas Buddhism and Daoism appeal to the “ignorant masses” (Welch & Seidel, 1979, p. 1). However, all three indigenous philosophies have contributed to shaping Chinese culture which views the universe as a harmonious and inter-related whole. While Confucianism puts emphasis on morality and how people should maintain proper relationships to achieve an ideal state of harmony (or ‘harmonisation’ depending on the translation of he, 和), Daoism is more individualistic and mystical, relying on instinct and consciousness rather than rules to govern social conduct (Jing, 2008).
The name daojia, 道家 or “school of the dao” was created by the historian Sima Tan in the text, Shi ji (“Records of the Historian”), which was written in the 2nd century BCE and later completed by his son, Sima Qian. According to Sima Qian’s classification (liujia zhi yaozhi, 六家之要指), the Daoists are one of the Six Schools in Ancient China, which also include the Confucians, the Mohists, the Legalists, the Logicians and the Yin-Yang school (or school of Naturalists). The classification of Daoism as a single school meant that historians compiled a list of texts such as the Laozi, 老子 and Zhuangzi, 莊子 of the pre-Han period that shared similar views on themes related to cosmology and ontology. Some of these themes include discussing ‘the Way’ (dao, 道, lit. “path”) as the ultimate metaphysical force in the cosmos, and ‘wu’ (無, “nothingness” or “nonbeing”), as a state that is complementary to being rather than meaning non-existence. Through the idea of wu, Daoists went one step further than the Greeks by expanding the traditional definition of ontology as examining the ‘being’ or existence of a human being by dealing with the concept of nothingness. This resulted in heated debates during the 3rdand 4thcenturies over whether things in the world were born from nonbeing or being (Chai, 2012). The eventual consensus in the Daoist school was that dao gives birth to both nonbeing and being and so, dao itself must be beyond the sphere of existence and non-existence.
Once institutionalised, the experts and practitioners of Daoism began to promote self-cultivation practices or “techniques of the Way” (dao shu, 道術), which would help individuals realise the daoand live a more harmonious life. While some of these techniques included adopting a sceptical mind and finding meaning in indirect, non-argumentative writing, often in the form of poetry and parable (Hansen, 2007), the political implication of Daoist thought was its opposition to authority, government, and coercion. As Loy (1985)noted, the Daoist concept of “spontaneity” (or wu-wei, 无为, lit. “without exertion”) was contrasted to the Confucian practice of obediently following teachers and traditions. For the Daoists, rules and social conventions restrained individuals from expressing their true nature, while natural movement was a way of promoting freedom and egalitarianism. Hansen (2007) argues that from a Confucian perspective, the rejection of order through authority and rulers was anarchist since the role of government was to promote moral character, whether by education, attraction or force.
However, whether this is a correct understanding of Daoism is debatable. For instance, Emeritus Professor of Philosophy John Clarke (1983) points out that it has become commonplace to identify Daoism and anarchism in political discussions, and Andrew Vincent (1992) adds that “it is also asserted that anarchist themes are to be found within ancient Chinese texts like the Tao te Ching [Daodejing]” (p. 116). But for Feldt (2010), these claims have often been made in passing or without critical engagement. The Zhuangzi also tends to be overcited when linking Daoism to anarchism because it is one of the only pre-Qin philosophical classics that does not make normative political claims. Whereas other Daoist texts like the Daodejing (also called the Laozi) provide theories for rulership and legitimate political power, where the ideal government would exert a minimum amount of interference over individuals (Ames, 1983), the Zhuangzi is silent on political issues and suggests that people should stay away from politics and any external, dominating powers (D’Ambrosio, 2018). Since the creation of the People’s Republic of China in 1949, which was dominated by a Bolshevik-style state-party system, anarchist activity and Daoist thought have been isolated and marginalised in the Chinese radicalism movement. Anarchism in China was also more associated with Buddhism because of the large number of Buddhist monks joining the Guangdong anarchist movement in the early 1920s (Dirlik, 2012).
Chinese anarchist visions were largely influenced by the writings of Russian activist and revolutionary Peter Kropotkin (1901), who put forward a version of ‘socialist anarchy’ that called for the abolition of individual property and the emancipation of the individual from the State, which was thought to maintain and reproduce conditions of economic slavery. Although some Maoist policies that integrated agriculture and industry were in line with the anarchist movement’s goals of setting up a more equal society, the emergence of state-based and armed groups such as the Communist Party and the Kuomintang meant that the Chinese anarchist community quickly lost its influence amongst the political elite (Dirlik, 2012). In its historical context, Anarchia, meaning the absence of government in Ancient Greek (coming from the word an-arkhíaor “not authority”), is about organizing society without government or coercion. Mainstream anarchist movements are opposed to states, armies, slavery, the wages system, prisons, all forms of capitalism, bureaucracy, patriarchy, matriarchy, monarchy, oligarchy, and intimidation by gangsters (Rooum, 1995). Anarchism is not perfect freedom in that people are not universally assumed to be altruistic or good. Rather, the movement is based on the belief that although humans are imperfect and can be unpredictable, a non-coercing and non-authoritarian way of organizing society is ethically worth striving for. In other words, anarchism seeks to offer a plausible alternative to current systems of governance where, it is argued, modern-day forms of slavery and brutality increase inequalities and reduce individual opportunity. It should be noted that when anarchism was applied to China, the anarchists did not insist on an anarchism with Chinese characteristics, but tried to apply universal anarchist principles to China’s political situation.
While there are some similarities between anarchist beliefs and Daoist principles, there are also fundamental differences. For example, although both Daoism and anarchism see freedom of the individual as a crucial aspect to human relations and existence, the meaning of freedom in anarchism is socio-political, where an ideal society would be free from oppression and authority, whereas the Daoist freedom is based on metaphysics. In the Daodejing (道德經), it is written that humans should have the freedom to cultivate their natural and simple character that originally comes from the dao. For instance, in chapters 8 and 9 the ideal human condition is described as natural governing “without desire which is like the softness of water that penetrates through hard rocks. His work is of talent like the free flow of water. His movement is of right timing like water that flows smoothly. A virtuous person never forces his way and hence will not make faults.” In that case, the cultivation of the self involves action without force. An individual is free in their creativity and accessing this freedom means not holding on to things such as desire and success. While some writers appeal to the noncoercive and nonauthoritarian conception of wu-weias one of the key links between Daoism and anarchism, there are various ways of translating wu-wei. Roger Ames and David Hall (1983) use the term “noncoercion”, but Ames (1994) also generalised the meaning through the terms “noncoercive activity”, “nonaction”, “doing nothing”, and “acting naturally”. D.C. Lau (1963) uses “nonaction”, while Edward Slingerland (2003) refers to wu-wei as “effortless action”. The different translations can have different meanings when discussing political authority. For example, a government that “does nothing” or is non-active seems like an appeal to anarchism, whereas governing through “noncoercive activity” or natural action is to voluntarily govern without relying on force. But the authority would still remain. Thus, Wu-wei is not simply the lack of authority or action. In chapter 43 of the Daodejing, the Sage is advised to do nothing (with a purpose), and in chapter 48 it is stated that a person should arrive at the point of non-action where “there is nothing which he does not do.” Thus, there is still activity, intention, and spontaneity in the meaning of wu-wei as the dao can only be expressed and realised beyond actions and words.
Finally, at no point does Daoism outright reject a ruling authority or the state. This is because, as Xiao Gongquan (1979) states, “what Lao Tzu attacked was not government in and of itself, but was any kind of government which did not conform to “Taoistic” standards” (p. 299). In other words, it is believed that society should be governed by a sage-ruler that follows the standards and spontaneous workings of the dao, which involves allowing citizens to realise their individual freedoms by not applying an excess of laws. In chapter 57 of the Daodejing, Lao Tzu says “Govern the state by being straightforward; wage war by being crafty; but win the empire by not being meddlesome…Hence the sage says, I take no action and the people are transformed of themselves”. Here Lao Tzu puts forward the idea that the state should be non-intrusive with minimal or no taxation and laws so that people can live without unnecessary competition or strife. For Robert Eno (1990), Confucius himself adopted such as Daoist attitude as his political theory was a justification for staying away from government at least until a sage would become a proper ruler. The development of a rule-based, authoritarian Confucianism would later contrast Daoism’s natural spontaneity and scepticism to social control, but to equate Daoism with Western anarchism is to ignore the cultural and historical differences in how both schools of thought developed and influenced Chinese society.
It should be noted that while traditional Confucianism spoke more of virtuous rulers teaching their citizens about correct conduct and moral behaviour, by the early Ming dynasty emperors began adopting an official neo-Confucian theory of foreign policy that allowed for the legitimate use of force (see Feng Zhang, “Confucian Foreign Policy Traditions in Chinese History,” The Chinese Journal of International Politics8 (2): 2015, p. 197-218. https://doi.org/10.1093/cjip/pov004).
Although mass tourism is one of the most lucrative industries in the world due to the growing competition between destinations, and the major source of foreign exchange earnings that tourism gives to countries, increasingly critics have pointed to tourism’s negative social, economic, cultural, and environmental impacts. For example, by overusing scarce water and land resources and failing to regulate rapid population growth in already congested areas, locals in Venice and Barcelona have held anti-tourist protests in the past years calling for a cap on tourist numbers (Kettle, The Guardian, 2017). This has led to a call for alternative forms of tourism such as ‘cultural tourism’. As Scott (1997) noted, the reason for this shift from mass to cultural tourism is that capitalism has moved into a phase “in which the cultural forms and meanings of its outputs become critical if not dominating elements of productive strategy” (p. 323). In other words, the commodification of culture’s material and symbolic resources provides a highly mobile and arguably infinite form of capital supply.
On the one hand, this model can be considered to be attractive to some local communities. Van der duim, Peters, and Akama’s (2005) study on cultural tourism in African communities reveals that host communities cannot always be seen as victims to predetermined global development processes of mass tourism. Through the initiation of various cultural tourism activities, groups like the Maasai people in Kenya and Tanzania have acted as agents with power to influence tourism projects that have become a key source of livelihood for their communities. These observations reveal that the power dynamics of cultural tourism are not a one-way flow as they often are with mass tourism, and shared power dynamic is reflected by the negotiations that often take place between tour guides and local representatives, as well as between tourists and locals when it comes to buying souvenirs or hosting tourist families.
For governments too, the cultural tourism model is an attractive alternative to the negative reputation and impact of mass tourism since cultural tourism can easily be tied to the idea of a national ‘brand’. In India, cultural tourism was the main push behind the rise of the tourism sector, with the promotion of India as a land of ancient history and culture in the 2002 Incredible India!campaign. Since launching the campaign, India improved its travel and tourism competitiveness by increasing its position from 65thof 40thin The Travel & Tourism Competitiveness Report 2017 (World Economic Forum, 2017, p. 4). However, as Reena Gupta (2018) noted in her analysis of the Incredible India!campaign, the use of cultural tourism as national branding has become more of a reflection of an imagined identity rather than reality itself. In some of the most recent Incredible India!advertisements, Indians are not fully present on screen as when they are shown, they mostly represent unknown characters whose purpose is to welcome and dance for the western woman at the centre of the tourist story. Therefore, even in the cultural tourist setting where a place’s history, landscape, and people should take centre stage, ethnicity and culture is presented as the “seasoning that can liven up the dull dish that is mainstream white culture” (hooks, 1992, p. 424). In other words, the cultures that are being shown and projected are not neutral: they are related to how governments and the global tourist market construct and understand a place, and the packaging of this is aimed towards a particular western (but increasingly, growing middle class, eastern) market.
This raises the question about who owns and is able to access culture. In his analysis on cultural politics and tourism, Jim Butcher (2005) states that museums, galleries, and heritage sites are often “regulated through state culture policy, policy that is very much the product of a wider contested cultural politics” (p. 21). This contestation plays out between marginalised and dominant groups in society, and it is usually the case where the dominated group either directly or indirectly fights against or accepts the dominant group’s historical narrative as the natural state of the world. For instance, in Western Europe, the history of state socialism has been externalised to the current neo-liberal socio-economic model, where most museums in former Soviet countries have been revamped to the extent that the nuances (and sometimes positive experiences) of life under communism are rarely shown (Molden, 2016, p. 126). Although pro-communist, pro-Soviet groups still exist throughout Europe, especially in Eastern European countries, it is rare that the positive experiences of Soviet times will be shared in official cultural tourism sites.
In that case, there is always a connection between cultural experience and the structural context of power relations, especially between those who want to maintain or change the dominant cultural framework and those that just passively live in it. The dominant group establishes this reality through the creation of a distinct language and symbolic imagery that legitimizes the mainstream cultural framework which cultural tourism programs operate in. With India, the fantasy created by the ministry of tourism and culture is that Westerners and upper-class Indians, particularly the diaspora, can consume Indian things without needing to deal with the agency and potential resistance from working-class Indian people, who are increasingly being overworked (Gill, 2018). This represents a form of “internal orientalism” since Indians themselves depict their country as “a place of romance, exotic beings, haunting memories and landscapes, remarkable experiences” (Said, 1970, p. 9) within the framework of tourist capitalism.
In China, a similar phenomenon is occurring. The celebration and promotion of China’s “Confucian renaissance” is marked by the emergence of the upscale Confucian-themed Nishan Akademia hotel in Qufu, the birthplace of Confucius. Opened in 2016, guests can dress up in traditional Hanfu clothing from the Han dynasty, similar to those featured in Chinese television dramas. Once robed, activities offered to the guests include practicing calligraphy, playing traditional games including touhou, and visiting the Confucius museum. Accommodation at Nishan Akademia includes 47 stand-alone houses, some of which cost more than 10,000 yuan (US$1,440) a night (Yau, SCMP, 2018). These representations, marketed at wealthy Chinese and Western audiences, show a very uncritical, uncontroversial side of Confucianism that fits properly into the (national) master narrative of China’s history and culture.
Beyond Shandong province, China’s cultural tourism is also marketed around the commodification of various “exotic” minority (minzu) cultures. The term minzu, roughly translated as minority or ethnic group, is a political classification that includes the Han Chinese majority and the 55 officially recognised ethnic minority groups throughout China. While all these groups are defined by a common language, territory, and economy, belonging to the greater category of zhonghua minzu (pan-Chinese national identity), non-Han ethnic minorities are both the object of exoticism and fear, which makes them suitable marketable products for cultural tourism. Swain (1990) writes that most of China’s minority groups live in regions that have important natural resources and are on strategic international borders, and that domestic tourists are encouraged to visit these areas for the scenery and to observe the ‘curious’ indigenous people. A China Reconstructs(May 1988) article describes the difference in park accommodations in Tibet between the three state guest houses and the small inns run by Tibetan families, where the inns facilities are described as “limited, but the experience is unique”. Indigenous groups in these areas often become a generic category, marked only by their distinct traditional clothes. In Hainan island, where the centre is being developed for cultural tourism, hotels, minority restaurants, and tours into Wuzhi mountain minority villages feature minority women as hostesses for guests, which is part of the larger “primitive” package that tourists are promised. In the article, “Hawaii of the Other” (Bier, 1998), a researcher is quoted as saying that development in Hainan Island is for show. Away from the tourist sites, “the central government is not providing money to improve standards of living”. A similar finding was also noted by associate professor Trine Brox (2017), who conducted a mixed qualitative and quantitative study on the biggest minzumarket in Chengdu and found that although sold as Tibetan cultural products, many of the shops sold goods not made in Tibet or by Tibetans and most of the shops were not run by Tibetans themselves.
There is also a sexual and gendered factor in China’s cultural tourism. In many mass media images, indigenous girls and women appear next to or communing with animals, picking fruits, and standing near waterfalls and streams. Their carefree nature is depicted by them laughing and they are dressed in decorative costumes that help identify them with their nationality. While the elaborateness of their clothing is associated with adulthood, these women are often featured with physical features of a child, linking nativity to innocence and naivety. The effect is that these women are infantilized and made to be the object of fascination. In the article Gender and Internal Orientalism in China, Schein (1997) highlights that these imaginings made minority women a powerful attraction. Also associated with repulsion and fear along with desire, it was not uncommon to be told by a Chinese urbanite that women “there” do not cover their breasts, or that young indigenous people engage in “socially sanctioned orgies” (p. 77). The idea is that the eroticised ‘other’ is placed into the social imaginary as being both dangerous and alluring, especially for upper-class city people.
Although there can be a difference between mass tourism from other, most focused forms of tourism such as cultural tourism – which can promote economic development for indigenous groups if these groups are in charge of the decision-making and owning the processes of promoting cultural continuity (Swain, 1990) – in China, the unequal power dynamics between ethnic groups, the central government, and tourist capitalism creates a rather complex picture. It is the state which defines who and what constitutes an ethnic group and the tourist market that defines who is or will be an upcoming cultural commodity. While there are definite economic benefits in promoting cultural tourism, including stimulating the national economy and attracting foreign capital, it is questionable whether these profits flow back into the ethnic communities whose cultural products are being marketed, and whether the cultural picture that is being packaged for tourists is authentic or part of the imagined cultural tourism experience.
By Cindy Minarova-Banjac
Part 13 (concluding video) of the 2018 interview with Dr. Alan Chan at Bond University, Australia. Trust and being trustworthy plays a central role in Confucian ethics. In the Analects, for example, Confucius frequently uses the term xin 信 to discuss the importance of trust in various social and political contexts in ancient China. In this final section of the interview, trust in Western and Eastern perspectives is discussed.